The conceit of the Scottish artist Douglas Gordon’s 1993 film “24 Hour Psycho” is simple: the movie Psycho, slowed down to play at two frames per second, an arduous pace that stretches Hitchcock’s masterpiece out to fill an entire day.
Driven to Distraction
The conceit of the Scottish artist Douglas Gordon’s 1993 film “24 Hour Psycho” is simple: the movie Psycho, slowed down to play at two frames per second, an arduous pace that stretches Hitchcock’s masterpiece out to fill an entire day.